nice price deal !!! fenech-soler produce perfectly distilled post-millennial dancefloor pop. the a-side cut showcases the bands ear for an irresistible melody carried with thick synth sounds, ricochet guitars and economic beats. a chart and dancefloor hit-in-waiting, with its b-side airbrushed an undoubted late night menace of drilled dystopian tech-pop. fenech-soler deliver a deftly accomplished production that confounds their bedroom studio origins. their dexterous writing and musicianship resonates with the fine suburban pop of pet shop boys, the sparkling live capabilities of phoenix and friendly fires, and the dancefloor igniting electro breakdowns of vitalic, justice or the presets

excellent new label from milano ! big love from prins thomas, padded cell, ata, rub n tug, idjut boys,à !! mad on the moon debut release is a classic masterpiece of cosmische music which has been reworked for late night club action by two italian stars of the nu-disco scene (we leave the track spotting to all the collectors and krautgeeks): the love supreme, their version is direct to the dancefloor, but with a slow paced electro rythm and a classic smooth feelingà when the moog solo kicks in you will be sent to space with themà simone fedi, the man who lately sold out on dc recordings, eskimo, and smash hit music has worked a space funk track loaded with analog synth sequencing coup

space disco? or cosmic grooves? balearic it is!! peter visti - from music for dreams and mindless boogie fame - offers us again an incredible ep on eskimo after wonderful and often charted releases such as balearic love and heaven is a disco. both late nite balearic monster and el ritmo del mar are two amazing spanish guitar driven tracks in his own unique style and were very proud to be able to release them on eskimo. again some essential stuff for your balearic ears!!

ltd backstock !!! label chief and king of nyc late night mythology, francois k returns with a bit of his patented deep space madness. starting with a tempo reminiscent of a 45 played at 33 1/3, a delicate plucked bell-synth bathed in a medium hall reverb leaves ethereal impressions and late night energy. as the melody drops a minor third, another enchanting counter melody joins the mix and adds a rather divine legato styling. after the lead fades out, a percussive interlude full of syncopated noise hits develops: leaving room for a break that reintroduces the main vibe and instills a sense of resolution. the flip carries a remix from quiet village, who has been starting deep space nights with positively solid performances. taking a more club-hyped approach, this rework pounds forward with a massive rumbling kick drum and an underlying noise wash. the main lead gets some serious filter and delay treatment making for a more progressive drive and a versatile dancefloor hook. tweaking things a bit at the break, the melody morphs into a sort of latin-minded groove with portamento glides, edited accents and sharper hits. still keeping the passion and charm alive, the new demise accents francoiss tasteful tune while boasting contemporary excitement

having somewhat of a renaissance of late due to an infamous back-to-back session with ricardo villalobos, dj sneak aka carlos sosa has a history of continually staying ahead of trends and making house and techno that really matters. this makes him the perfect back in the box candidate (following on from dave clarke, louie vega and joey negro), where unearthed gems and anthems from days gone by are delivered with a fresh outlook

ever since carl falk got involved with electronic music due to the rich techno culture of sweden, he turned out to be an unstoppable pool of creativity. tough beats mixed with funky elements and basically any percussion from around the world, the mixture of elements creates firm tracks aimed at the dj and dance floor! all of this comes together in the banging a-side track called late night. on the flip we find the late night remix by no other than spilo label manager cave! he does his tricks, again, which turns his version into a late night prime time techno killer!

new project by wollion (blufin records), sandrino (sprout rec.) & adrian pietrasch. with rebirth records and alive (uk) fame! their influences the late 90 s combined with modern elements and a lot of a soul in their music. coming up with an amazing kaisersouzai remix!

the debut record of ritmolider kaleidoscope is a traditional studio work with live performance and classic analog sound. being in the era of nu disco and re edits the author has tried to find his own way of making music based on traditional methods of performance. and hes got a beautiful symbiosis of instrumental improvisations and electronic melodiousness. at the begining of the record theres a superb remix by the beat broker - deep, groovy synth disco, highly recomended for dancefloor! the second track is a journey into obscure psychedelic funk with lots of improvisations and atmospheric tunes....a pity so sweet percussions are added so late. b2 tonight at the discotheque will carry you away by the real soviet disco vibe. a beautiful arp solo softly flowing through amazing effects and acoustic drums focused on free played funky basslines. the original version of kaleidoscope is also a very interesting one. a mood of this composition is changed all the time. the first seconds of the track you hear a tender melodic solo which makes you feel calm and relaxed, then you get the groove coming from an agressive arpeggio and dinamic percussion. soon this feeling gets interrupted with a sudden slap bass impromtu playing together with a synthy accompaniment, and it turns into another feeling, and so on... this really reminds of kaleidoscope effect!

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

boogie corporation is a project thats all about creating new music thats inspired by leftfield disco, electrofunk , alien abductions and terry thomas movies. early expeditions to outer space funk where conducted on 20:20 vision recordings recordings in the form of the rather out there lay the funk and dirty rip eps. and the good news is that boogie corporation are back and they are on a mission to bring back the boogie! bc are planning new missions to boldly go where no electronic discotheque has gone before. join us before its too late!

not too late is norah jones highly anticipated third album. made up of 13 songs - all of which were written or co written by norah - the album was produced by lee alexander, norahs long time song writing partner/bass player. the album features distinct traces of dusty in memphis style southern soul, as well as the kind of sleepy, sultry vocals that have been ubiquitous in coffee houses all over the world since the release of her 20+ million selling 2002 debut album, come away with me.

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

special limited re-issue !! grab your copy befor its too late.. pure peaktime action

played by sebo k, karotte... layo and bushwacka! are equally at home turning out summery housey affairs as they are peak time stormers, and >now is the time / the time was then definitely fits into the latter category. a double header, the loose concept behind the release is to represent the sound of the dancefloor now versus the sound from a few years ago. >now is the time< has its feet placed firmly in 2008 - a crisp, clean techno bassline, topped by hand claps, snatches of breathy female vocal, and full of an irresistible array rattles, whooshes and other indefinable sounds that the duo seem to pull from the depths of their imaginations. it breaks with some simple electronic sounding chords and a stirring martin luther king sample that makes this record so memorable. >the time was then< is based around that same sample, but gives a cheeky nod to a few years back, with a bassline and keys that wouldnt have sounded out of place on their seminal ‘night works’ album. it never goes too far towards nostalgia, though, and either would rip up a late night dancefloor

hammered by: richie hawtin, paco osuna, konrad black , sebo k, davide squillace, 2000 and one, johnny d , agnes ,miss fitz, reboot, chris carrier,..rmxs by pier bucci & ali nasser!! nick curly hails from sunny germany where he runs the amazing cecille label and produces some of the most amazing music around at moment. his sound has been incredibly well received of late and is finding favour with the likes of mandy, clive henry, steve lawler and locodice. here we present nicks debut for audioflys imprint supernature. >on my way< is a slice of deep techy house that has been quietly turning heads since audiofly discovered it on myspace a few months back. remixes come form none other than pier bucci and huge emerging talent ali nasser from romania. both interpretations add their own slick flavours and are bound to be in djs wallets and traktors for months to come. >friday< meanwhile is one hell of a groover and will surely be favoured by those who like it deeeeeep! enjoy

the phantom image‘ is a teasing, acid-tweaked club tool, stripped and refined. it burns slowly from both ends and builds in classic style, amounting to an insatiable hypnotic moment, instinctively connecting the mind and body with only one vital message: to move. flip over and you‘ll find two more seriously deviated cuts, in the form of steve bug‘s edit of >the fruit fly<, and vincenzo‘s orginal mix. both mixes raise the intensity from the late night tripping atmospheres of >phantom< and take us straight into the peak time poker flat style. phasing synth stabs and a floorshaking bassline take the track sky high, with vincenzo‘s trademark impeccable production at the centre of it all, ensuring every moment comes through loud and clear. bug‘s edit raises the drama a notch, peaking with a different flavour, whilst the original is a true gem and a classic example of the non-stop power of vincenzo‘s creative output!

deep grooving classic house experience by pete moss!!! includes stripped down josh wink interpretation!!!

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.

nice price deal !!! supported by laurent garnier, marcin czubala, patrick bateman, andrew grant, davide squillace, matthias schaffhauser, jorge savoretti, and many more. auralism is a deliciously fresh new label from san francisco that delivers a very impressive first ep, courtesy of label founders coalition of the killing (cotk) with remixes by argenis brito and franklin de costa

emanating from japan, and discovered by erid d. these re edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience !c.o.m.b.i 01 was released in october last year, 500 copies which sold out in a week! it was never repressed. so here we go again, c.o.m.b.i 02 is another glorious duo of obscure but dancefloor friendly edits!!

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

last but certainly not least we have the bugs remix of harrowdown hill – with downbeat skippy dubstep beats and an eerie ambiance. techno don surgeons version of the clock is a pumping dancefloor masterpiece. and the field strip down cymbal rush into a late night, hypnotic deep techno ambient track.

luke solomon (of the freaks / classic records fame) returns with this dark slice of late night music. andomat remix > space invaders< on the flip that has support from ricardo villalobos, etc.. still any questions ?

perugia based deejay and producer adriano filippucci is the latest addition to the earresistible musick stable. upcoming sound-shifter is classically trained musician and composer with jazz and electronic music background as well as expert in analogue and digital synthesis. his opus includes releases under the monikers quartz, human tech and alpha duo and the adf projects was developed under the influence of artists such as sasha, john digweed and satoshie tomiie, although the traces of their sound cant be spotted easily in this release

you may already know barem (aka mauricio barembuem) from his releases on (un)foundsound, pariter and phonocult or from his remixes on resopal, mos ferry and einmaleins. if so you, wont be surprised in the slightest to find him surfacing on minus with never better than late to round off what has been another groundbreaking year for this ubiquitous label. the electro flavoured broken beats of so serial (digital only) make it the perfect tool for opening a set or for shifting the mood. the melancholy tones, the massive snare reverbs and the low, stuttering acid bassline gradually turn up the pressure before eventually triggering the 4/4 section, establishing the perfect platform to propel the eve! ning onto the next level. the fantastically titled ears conclu! des the release,offering more subsonic trickery in a similar vein. the percussive licks shift up and down amid a wash of reverbs and delays, while the bubbling bassline motors forward, keeping the scuttling efx in check

new electro-house label hifi stories starts with an electro-tech-house peaktime burner from john dahlback. including brandnew remix by norm (king kong records), guy gerber (cocoon rec) and king unique dub version. massive start for this new label

off-key limited is a new subsidiary label of off-key industries whose aim is to give exposure to new artists alongside established producers and to bring a wider range of genres with less of a focus on the dancefloor. each release will be strictly limited and will not be repressed. we start by raiding the off-key vaults to unleash a series of releases entitled >the dust off<, featuring material written in the off-key studio over the years by matt o brien and various collaborators and associates. matt kicks off the ep with >a new page turns<, a bangin dubby detroit techhouse cut driven by a low slung rhythm and analog stabs dripping in reverb, overlayed with a melodica riff which calls to mind the smokey refrains of augustus pablo. next up is >untitled< by newcomer mat gates, a beatless slice of electronica whose understated melodies conjure up thoughts of late summer evenings of times gone by. on the flip, o brien and gates combine under the artist name kimble to bring you >epiphany<, led by a shimmering melody underpinned with haunting strings which combine to form an electro track of rare beauty. this diverse ep is completed with mat gates second contribution, >in a hole<, a drum n bass track with a disjointed, skeletal rhythm, sub bass drops and fragile, melancholy melody.

back in the box is a brand new series from leading uk house label, nrk. taking the worlds leading and longest serving dj legends, b.i.t.b. invites them to plunder deep into their collections to those old house records that rocked the party time and time again, records that have since been left dormant on the shelves, waiting for the right moment to be dusted off (and this is that moment!). we re talking about those records that shaped and influenced a whole music scene, from that golden era of house music from the late 80s to mid 90s. a mix that will evoke great memories of lost nights on the dancefloor, b.i.t.b is the trip back in time you ve been waiting for.

roachford teaming up with the mync project for this massive club track. this 12 incher includes mixes by morten trust, rls, dazzla and thomas hedberg

second octopus is mr statik with an excellent 3 channels remix, stathis is a greek gentleman of some refinement, his tracks caught our ear on mathias schaffhausers ware imprint as part of the mudmax duo and his talent for combining careful modern production and late night hysteria drew us to him as a future roster artist. then we come to 3 channels,what can we say,they have blown up on crosstown rebels and trapez and their own imprint channel records, their dj sets kick ass all over the place and their remixes, from claude vonstroke to decryptor have proved them as the bright stars of the european house movement. this mix is inspired,relentless, unusually energetic and yet typically 3 channels, aimed straight into the heat and haze of the night

the french master continues the succesfull serie of earthtrumental music with another huge deep house 2 tracker perfect for the late night clubbers. already supported by kerri chandler, alix alvarez, dj deep, osunlade, dennis ferrer, dixon, henrik schwartz, aaron ross to name a few

timeless classic from the late 80s gets the remix treatment with four reworked versions from current electrobass leaders hydraulix, the dexorcist, scratch d (dynamix ii) and supreme.ja

jt donaldson follows up 2 outstanding eps for hudd traxx bringing his untitled orchestra partner cpen with him appearing under a new guise. the title track lives up to its name as it d bang the lights of any club! jt & cpen work out smooth beats, techy keys and melodic strings with a killer bass to make this track the pick of the ep. flip for the b side and jts signature deepness shines through starting with intimate friends. crisp beats and crunchy hi hats accompanied by low swung piano keys will keep the heads nodding into the early hours. spaced out is a late night deep viber which rounds off this ep nicely. full marks to the slum science crew for another essential release.

3rd ep off the double disc mixed by grammy award winner louie vega. basils classic city streets is up first with kerri chandler turning out his smooth inspirational mix of this nu groove 1991 original classic release. his mix goes a little deeper than the original full spoken vocal but includes a jazzy saxophone and a heavier bass line making the track move along a little easier. some tribal beats and some thunder are added to really create the atmosphere & veritable feel of the rain. the late great house music singer sabrynaah pope sings her heart out on hold on. this is the actual original re issue from 1994 and still being played. other 2 singles that you will find on the vinyl ep are mood ii swing feat. carol sylvan, closer as well as the global no1 dance hit by blaze feat. barbara tucker most precious love. all these well known tunes make for an incredible set of throw backs coming from a very special album mixed by one of the worldwide legends of dance music

great follow up to the >super constellation ep<. supported by kiki, xpansul, karotte and jeff milligan !! the virtuose producer marcin czubala from poznan is back on mobilee. after his first and by the way very successful “super constellation” release on mobilee “we got an offer we can´t refuse”. he once again delivers the same groovy and unique czubalaquality. with this ep he finally became part of the mobilee famiglia.the theme is inspired by italian mafia movies from the late 70ies. so better wear bullet proof vests when listening to the tracks. mario puzo would love the music

brilliant deep house anthem ...incl bonus church lady, comes in df dub & rocco late night mix !!! pure sex

excellent deep spacin tech tracks... with influences from dub, trance, minimal and detroit...

very nice electrofunk club anthem with cool acidic vibes and sometimes madonna like vocals by lucy clarke includes remixes by tonrausch and the loose cannons a must have

we ve come to expect the unexpected from the label called nu faze records and this e.p. promises to keep the tradition of good house music intact, with the 6th installment of the late night house sessions series called the tech files produced by dj romain. the 1st track is called pumpin the phunk a deep and dark track with a serious bassline and deep tech stabs in the vibe of plastic dreams, with a a deep voiceover telling you always pumpin the phunk 24 7. 2nd track is called red hot a funky pumpy houser with nice rhodes chords, tech stabs and bassline played by brooklyns mike gudal. the 3rd piece is called ro tech a very minimal sounding tech track with a deep bassline and swirly sounds in & out giving the track a deep earthreal sound, perfect for the early morning heads.

ruede hagelsteins >sweaty balls< and >heaven is on fire< got remixed by benjamin theves (kitsune), dj kaos and fcs north

sleazy mcqueen and the nasty fruits make their boogie farm debut with an e.p. full of tripped out detroit-influenced disco-funk! on the a-side we have the detroit influenced >neurotic city<. it s smooth pads and eerie percussives blend well with the breathing bass line and chaotic melody making it the most clubby track of the release. on the inside, we find >things i do for you<, a heady deep house workout that will appeal to fans of late night debauchery! we ve been told that it was written late at night after a few bottles of wine, when sleazy mcqueen woke up the next day, there it was on his desk top. we think he should get drunk every night if this is the result! on the flip its remix time courtesy of one of the hottest guys and label at the moment: philip lauer and brontosaurus! the >brontosaurus< remix of >gimme a kiss<, with its smooth running bass line and great pulsating rhythms keeps a good disco vibe reminiscent of kano! boogie on!

phat groovin atmospheric techtrax

the best way to follow a classic, is with another classic. rebelone 08 does exactly that as the underground offshoot of crosstown rebels follows the incredible >porcupine< with a brand new >weasel<. >the weasel< produced by vinyl (as always, a well known producer in disguise, this time of german descent who had a massive underground tune this summer) is an instant dancefloor smash - with it s late night, twisted sounds, breakbeat-styled techno drums and deep as hell bassline, this one sided monster is ready to join the ranks of the other rebelone animal crackers

this record is sure to be big -detroit influenced techno with a late night , but club stomping appeal ! sure to blow any dancefloor , these intense vocals give you shivers up your spine - we are not of your world . this record is recieving huge support by the likes of djs such as ricardo villalobos , craig richards , dj hell , zip amongst many others. get it before it is gone. produced by samim & jay haze

we are the grand kru and who are you?!? dirty maximal house rebellion track from berlin. dark analog beats clunking out of a 606 drum machine mixed with deep bass hits. long approach before the chant begins. long synth stretches highlight. a late night epic. ep is complete with instrumental mix and accapella. limited 450 pressing

excellent minimal electronic & funky filter house madness

nice emotional electronic trechhouse

massive electro techno bomb with mixes from guy gerber (cocoon rec) & the mighty king unique!!